July 23, 2014

hohohobutmadefashion:

when two of your friends get into an argument and they both try to drag you in for support and you’re like

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(Source: hoebutmadefashion, via rickymartinofficial)

July 23, 2014

bussykiller:

kingorb:

avocados are fucking disgusting 

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(via rickymartinofficial)

July 23, 2014

(via col-waiting)

July 23, 2014

Po up on a plane


It’s a nice way to fly

Po up on a plane

It’s a nice way to fly

(Source: eastsideshit)

July 23, 2014

(Source: promethazineroses)

July 22, 2014

(Source: crazyyminds, via afeveredthought)

July 22, 2014
cotonblanc:


Phantasmic DialogueHaving once reversed the spectacle, McQueen effected a further reversal by turning the audience into voyeurs when the show started. The lighting went down on the audience and came on inside the box, which proved to be made of reflective surveillance glass, mirrored inside as well as out. This time the models inside the box could not see the audience but they could clearly see their own reflections. Thus the audience could watch the models watching themselves. For ten minutes the models preened, strutted and admired their own reflections, staging a solitary performance before the mirror that in real life would only occur in the privacy of the bedroom, but with the additional frisson that their simulation of solitary pleasure was performed, like a sex show, to an audience of fashion voyeurs concealed behind a one-way mirror.
Alexander McQueen, Voss, Spring–Summer 2001. Photograph Chris Moore, courtesy Alexander McQueen

Fashion at the Edge: Spectacle, Modernity and Deathliness by Caroline Evans, Yale University Press

cotonblanc:

Phantasmic Dialogue
Having once reversed the spectacle, McQueen effected a further reversal by turning the audience into voyeurs when the show started. The lighting went down on the audience and came on inside the box, which proved to be made of reflective surveillance glass, mirrored inside as well as out. This time the models inside the box could not see the audience but they could clearly see their own reflections. Thus the audience could watch the models watching themselves. For ten minutes the models preened, strutted and admired their own reflections, staging a solitary performance before the mirror that in real life would only occur in the privacy of the bedroom, but with the additional frisson that their simulation of solitary pleasure was performed, like a sex show, to an audience of fashion voyeurs concealed behind a one-way mirror.

Alexander McQueen, Voss, Spring–Summer 2001. Photograph Chris Moore, courtesy Alexander McQueen

Fashion at the Edge: Spectacle, Modernity and Deathliness by Caroline Evans, Yale University Press

(via ryyyye)

July 22, 2014
He’s beauty and he’s grace

He’s beauty and he’s grace

(Source: lusidar, via cumnog)

July 22, 2014

(Source: twitterscreencaps, via warkorkweh)

July 22, 2014

Rihanna for Vogue Brazil #8

Rihanna for Vogue Brazil #8

(via derisegustav)

July 22, 2014

(Source: wouldyouliketoseemymask, via bitchspell)

July 22, 2014

Purple: 10 facts about my room.
Blue: 9 facts about my family.
Green: 8 facts about my body
Yellow: 7 facts about my childhood
Orange: 6 facts about my home town.
Red: 5 facts about my bestfriend(s).
Pink: 4 facts about my parents.
White: 3 facts about my personality.
Grey: 2 facts about my favourite things
Black: 1 fact about the person I like.

Ouh!! Do this do this!!

(Source: keepitfr3sh, via endlesscoil)

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